Le Parallélisme: Esthétique du solipsisme dans le cinéma de Michael Mann
Artes Vol. XV/2014/1-2, pp. 107-132
Abstract: The paper presents certain key features from a philosophical and phenomenological
point of view of the aesthetics of Michael Mann, a leading film maker of modernity. We try to identify the aesthetic, phenomenological and metaphysical issues of a unique formalism, parallelism.